Revolutionary leader. Born Ernesto Guevara de la Serna on June 14, 1928, in Rosario, Argentina. After completing his medical studies at the University of Buenos Aires, Guevara became political active first in his native Argentina and then in neighboring Bolivia and Guatemala. In 1954, he met Cuban revolutionary Fidel Castro and his brother Raul while in Mexico.
Guevara became part of Fidel Castro's efforts to overthrow the Batista government in Cuba. He served as a military advisor to Castro and led guerrilla troops in battles against Batista forces. When Castro took power in 1959, Guevara became in charge of La Cabaña Fortress prison. It is estimated that between 156 and 550 people were executed on Guevara's extra-judicial orders during this time.
Later, he became president of the Cuban national bank and helped to shift the country's trade relations from the United States to the Soviet Union. Three years later, he was appointed minister of industry. Guevara left this post in 1965 to export the ideas of Cuba's revolution to other parts of the world. In 1966, he began to try to incite the people of Bolivia to rebel against their government, but had little success. With only a small guerrilla force to support his efforts, Guevara was captured and killed in La Higuera by the Bolivian army on October 9, 1967.
Since his death, Guevara has become a legendary political figure. His name is often equated with rebellion, revolution, and socialism. Others, however, still remember that he could be ruthless and ordered prisoners executed without trial in Cuba. Guevara's life continues to be a subject of great public interest and been explored and portrayed in numerous books and films, including The Motorcycle Diaries (2004).
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Bangladeshi Novelist Writer Editor সেলিনা হোসেন Selina Hossain 1947
সেলিনা হোসেন (জন্ম জুন ১৪, ১৯৪৭) বাংলাদেশের একজন প্রখ্যাত মহিলা ঔপন্যাসিক । সেলিনা হোসেনের জন্ম রাজশাহী শহরে। তাঁর পৈতৃক নিবাস লক্ষ্মীপুর জেলার হাজিরপাড়া গ্রাম। বাবা এ কে মোশাররফ হোসেন এবং মা মরিয়মন্নেসা বকুল। তিনি পিতা মাতার চতুর্থ সন্তান। বাবা এ কে মুশাররফ হোসেন এর আদিবাড়ি নোয়াখালি হলেও চাকরিসূত্রে বগুড়া ও পরে রাজশাহী থেকেছেন দীর্ঘকাল; কাজেই সেলিনাকে একেবারে মেয়েবেলায় নোয়াখালিতে বেশিদিন থাকতে হয়নি। সেলিনা হোসেনের মায়ের নাম মরিয়ামুন্ননেছা বকুল। মুশাররফ-মরিয়ামুন্ননেছা দম্পতির সব মিলিয়ে সাত ছেলেমেয়ে। সেলিনা ভাইবোনদের মধ্যে চতুর্থ। মহান ভাষা আন্দোলনের দুবছর পর পর (অর্থাৎ,১৯৫৪ সালে) বগুরার লতিফপুর প্রাইমারি স্কুলে ভর্তি হল বালিকা সেলিনা। ক্লাস থ্রিতে। কেননা, ক্লাস ওয়ান আর টু-র পড়া শেখা হয়েছিল বাড়িতে বসেই। সে কালে সে রকমই হত। যা হোক প্রাইমারি শিক্ষা ওই লতিফপুর স্কুলেই শেষ হল। তিনি প্রায়ই ক্লাসে এসে আবৃত্তি করতেন-
পাখি সব করে রব রাত্রি পোহাইল; কাননে কুসুমকলি সকলই ফুটিল।
পদ্য আবৃত্তি শেষ করে তারপর শিক্ষকটি বলতেন, সোনামনিরা, তোমরা সবাই কুসুমকলি । তোমরা সবাই একদিন ফুলের মতন ফুটবে, দেখ। এই কথাটাই বালিকা সেলিনার মনে ভীষণ দাগ কেটেছিল। পরবর্তী জীবনে যতই আপদবিপদ এসেছিল-ওই লতিফপুর স্কুলের পঙ্গু শিক্ষকটি এসে যেন ফিসফিস করে বলতেন,শক্ত হ মা। হার মানিস নে। তোর এক মেয়ে মরেছে তো কি। তোর মেয়ে কি একটা! বালিকা সেলিনার কী সৌভাগ্য যে- অমন একটা স্কুলের মহৎ হৃদয়ের শিক্ষকদের সান্নিধ্যে প্রাথমিক লেখাপড়া শিখেছিলেন! দু’বছর পর। ১৯৫৭। ক্লাস ফাইভে ভর্তি হলেন ভি এম গালর্স স্কুলে। নতুন স্কুল; নতুন জীবন। হেডমিসট্রেস ছিলেন সালেহা খাতুনের ছিল চন্ড রাগ। বড় বদরাগী ছিলেন ওই মহিলা; সারাক্ষণ জ্বালিয়ে মারতেন। যা হোক। বেশি দিন ওই পচা স্কুলে থাকতে হয়নি বালিকার। বাবা বদলী হয়ে এলেন রাজশাহী । দু’বছর পর অর্থাৎ ১৯৫৯ সালে রাজশাহীর নাথ গালর্স স্কুলে ক্লাস এইটে ভরতি হল কিশোরী সেলিনা। নাথ গালর্স স্কুলের বেশির ভাগ শিক্ষক-শিক্ষকাই ছিলেন উদার আর মহৎ। কেননা, ছাত্রীদের তারা কেবল সিলেবাসে আটকে রাখেননি। সিলেবাসের বাইরে কতকিছু যে কথা বলতেন তারা। কিশোরী সেলিনার ছিল উৎসুক মন। ভালো লাগত জ্ঞানবিজ্ঞানের কথা শুনতে; ভালো লাগত ভাষা, বাংলা ও ইংরেজি ভাষা। ভালো লাগত অক্ষর, শব্দ। ভালো লাগত লিখতে। টুকটাক মনের কথা লিখতে। কবিতা পড়তে। তখনই একদিন প্রথম জীবনানন্দের কবিতা পড়ে অবশ বোধ করেছিল কিশোরী। রজদর্শনের মত দিনটাকে কখনও ভোলা গেল না। তারপর জীবনটা আর আগের মতো থাকেনি কিশোরীর। ধানসিঁড়ি নদীটি কোথায়? ওই নদীর ওপর মেঘ জমে, সোনালি ডানার চিল ওড়ে? হায়, চিল সোনালি ডানার চিল, তুমি আর ঘুরে ঘুরে উড়ো নাকো ধানসিঁড়ি ...ধানসিঁড়ি নদীটি কোথায়? বুকের ভিতর কী এক আবেগ তখন থরথর করে কাঁপত। মাঝরাতের অন্ধকারে শুয়ে শোনা যেত পদ্মার পাড় ভাঙ্গর শব্দ। অন্ধকারে কে যেন তখন ফিসফিস করে বলত-
পাখি সব করে রব রাত্রি পোহাইল কাননে কুসুমকলি সকলই ফুটিল।
সারারাত দুচোখে ঘুম আসত না। আমি কে? আমি এখানে কেন? আমি ঘুমাতে পারি না কেন? ভোরে দূরর হেতেম খাঁ মসজিদের মুয়াজ্জিনের আজান শোনা যেত। চোখে জলে ভরে যেন কবি কিশোরীর। ধানসিঁড়ি নদীটি কোথায়? এই প্রশ্নটাই জীবনভর তাড়িয়ে বেড়াবে।ধানসিঁড়ি নদীটি কোথায়? জীবনানন্দ কে? কবি কে? শব্দ কি? সেই কিশোরী দিনগুলোয় কী এক ব্যাথা বাজত বুকে। ওই নাথ গালর্স স্কুল থেকেই ম্যাট্রিক (তখন এস এস সি বলা হত না) পাশ করল কিশোরী সেলিনা ১৯৬২ সালে। ১৯৬২ সালে রাজশাহী কলেজে ভর্তি হলেন ঠিকই কিন্তু তখন শরীর এমনই কাহিল যে ক্লাস করা হল না। আহা তখন কী যন্ত্রনাই না সময় কেটেছিল কিশোরী সেলিনার। শিক্ষকটি এসে যেন ফিসফিস করে বলতেন,শক্ত হ মা। হার মানিস নে। রাজশাহী উইমেন্স কলেজে ভর্তি হল সেলিনা। মজা এই- সেলিনারাই ছিল ওই কলেজের প্রথম ব্যাচ। শরীরে যন্ত্রণা তো কি-সারাদিন দাপাদাপি করে বেড়াত তরুণী সেলিনা। ক্লাসমেটদের মধ্যে উজ্জ্বলতম বুদ্ধিমতী একটি মেয়ে। এত কথা বলত! কবি তো। তাই। ১৯৬৪। রাজশাহীতে আর্ন্তকলেজ প্রতিযোগীতা অনুষ্ঠিত হবে। সব মিলিয়ে সাতটি ইভেন্টে নাম লেখাল সেলিনা। প্রথম হল ছটিতে-একটি ইভেন্টে হল তৃতীয়। তখন বলছিলাম না- সেলিনা ছিল রাজশাহী উইমেন্স কলেজের সবচে উজ্জ্বলতম বুদ্ধিমতী একটি মেয়ে। এই মেয়েই তো একদিন বাংলায় উপন্যাস লিখে দু-বাংলার বোদ্ধা মহলে ঝড় তুলবে। লিখবে “গায়ত্রী সন্ধ্যা”র বিপুলায়তন উপন্যাস। কলেজ জীবন শেষ করে বাংলা ভাষা ও সাহিত্য নিয়ে ভর্তি হল রাজশাহী বিশ্ববিদ্যালয়ে। এবার জীবনে যুক্ত হল নিবিড় সাংস্কৃতিক ও গভীর রাজনৈতিক অধ্যায়। ১৯৬৭ সালে বিতর্ক প্রতিযোগীতায় অংশ নিতে পাঞ্জাব যাওয়ার কথা থাকলেও অস্থির রাজনৈতিক অবস্থার কারণে যাওয়া হয়নি। এই আক্ষেপ আজও কাঁটার মত বেঁধে। রাজশাহী বিশ্ববিদ্যালয় থেকেই বি এ অনার্স পাশ করলেন ১৯৬৭ সালে। এম এ পাশ করলেন পরের বছর অর্থাৎ ১৯৬৮ সালে।
রবীন্দ্রনাথের গান শুনতে বড় ভালো লাগে সেলিনার; লোকগানের মধ্যে ভাটিয়ালি ও ভাওয়াইয়া। যন্ত্রসঙ্গীতের মধ্যে বাঁশী ও শানাই।
সেলিনা হোসেন বাংলা একাডেমিকে যোগ দেন ১৯৭০। আজও ওখানেই আছেন।
কর্মজীবন
ষাটের দশকের মধ্যভাগে রাজশাহী বিশ্বমিদ্যালয়ে পড়ার সময়ে তাঁর লেখালেখির সূচনা। প্রথম গল্পগ্রন্থ উৎস থেকে নিরন্তর প্রকাশিত হয় ১৯৬৯ সালে। ভ্রমণ তাঁর নেশা। তাঁর মোট উপন্যাসের সংখ্যা ২১টি, গল্প গ্রন্থ ৭টি এবং প্রবন্ধের গ্রন্থ ৪টি।
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উপন্যাস
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পুরষ্কার
* ড: মুহম্মদ এনামুল হক স্বর্ণপদক (১৯৬৯)
* বাংলা একাডেমী সাহিত্য পুরষ্কার (১৯৮০)
* আলাওল সাহিত্য পুরষ্কার (১৯৮১)
* কামার মুশতারি স্মৃতি পুরষ্কার (১৯৮৭)
* ফিলিপস্ সাহিত্য পুরষ্কার (১৯৯৪)
* অলক্তা সাহিত্য পুরষ্কার (১৯৯৪)
* রবীন্দ্রস্মৃতি পুরস্কার (2010)
পাখি সব করে রব রাত্রি পোহাইল; কাননে কুসুমকলি সকলই ফুটিল।
পদ্য আবৃত্তি শেষ করে তারপর শিক্ষকটি বলতেন, সোনামনিরা, তোমরা সবাই কুসুমকলি । তোমরা সবাই একদিন ফুলের মতন ফুটবে, দেখ। এই কথাটাই বালিকা সেলিনার মনে ভীষণ দাগ কেটেছিল। পরবর্তী জীবনে যতই আপদবিপদ এসেছিল-ওই লতিফপুর স্কুলের পঙ্গু শিক্ষকটি এসে যেন ফিসফিস করে বলতেন,শক্ত হ মা। হার মানিস নে। তোর এক মেয়ে মরেছে তো কি। তোর মেয়ে কি একটা! বালিকা সেলিনার কী সৌভাগ্য যে- অমন একটা স্কুলের মহৎ হৃদয়ের শিক্ষকদের সান্নিধ্যে প্রাথমিক লেখাপড়া শিখেছিলেন! দু’বছর পর। ১৯৫৭। ক্লাস ফাইভে ভর্তি হলেন ভি এম গালর্স স্কুলে। নতুন স্কুল; নতুন জীবন। হেডমিসট্রেস ছিলেন সালেহা খাতুনের ছিল চন্ড রাগ। বড় বদরাগী ছিলেন ওই মহিলা; সারাক্ষণ জ্বালিয়ে মারতেন। যা হোক। বেশি দিন ওই পচা স্কুলে থাকতে হয়নি বালিকার। বাবা বদলী হয়ে এলেন রাজশাহী । দু’বছর পর অর্থাৎ ১৯৫৯ সালে রাজশাহীর নাথ গালর্স স্কুলে ক্লাস এইটে ভরতি হল কিশোরী সেলিনা। নাথ গালর্স স্কুলের বেশির ভাগ শিক্ষক-শিক্ষকাই ছিলেন উদার আর মহৎ। কেননা, ছাত্রীদের তারা কেবল সিলেবাসে আটকে রাখেননি। সিলেবাসের বাইরে কতকিছু যে কথা বলতেন তারা। কিশোরী সেলিনার ছিল উৎসুক মন। ভালো লাগত জ্ঞানবিজ্ঞানের কথা শুনতে; ভালো লাগত ভাষা, বাংলা ও ইংরেজি ভাষা। ভালো লাগত অক্ষর, শব্দ। ভালো লাগত লিখতে। টুকটাক মনের কথা লিখতে। কবিতা পড়তে। তখনই একদিন প্রথম জীবনানন্দের কবিতা পড়ে অবশ বোধ করেছিল কিশোরী। রজদর্শনের মত দিনটাকে কখনও ভোলা গেল না। তারপর জীবনটা আর আগের মতো থাকেনি কিশোরীর। ধানসিঁড়ি নদীটি কোথায়? ওই নদীর ওপর মেঘ জমে, সোনালি ডানার চিল ওড়ে? হায়, চিল সোনালি ডানার চিল, তুমি আর ঘুরে ঘুরে উড়ো নাকো ধানসিঁড়ি ...ধানসিঁড়ি নদীটি কোথায়? বুকের ভিতর কী এক আবেগ তখন থরথর করে কাঁপত। মাঝরাতের অন্ধকারে শুয়ে শোনা যেত পদ্মার পাড় ভাঙ্গর শব্দ। অন্ধকারে কে যেন তখন ফিসফিস করে বলত-
পাখি সব করে রব রাত্রি পোহাইল কাননে কুসুমকলি সকলই ফুটিল।
সারারাত দুচোখে ঘুম আসত না। আমি কে? আমি এখানে কেন? আমি ঘুমাতে পারি না কেন? ভোরে দূরর হেতেম খাঁ মসজিদের মুয়াজ্জিনের আজান শোনা যেত। চোখে জলে ভরে যেন কবি কিশোরীর। ধানসিঁড়ি নদীটি কোথায়? এই প্রশ্নটাই জীবনভর তাড়িয়ে বেড়াবে।ধানসিঁড়ি নদীটি কোথায়? জীবনানন্দ কে? কবি কে? শব্দ কি? সেই কিশোরী দিনগুলোয় কী এক ব্যাথা বাজত বুকে। ওই নাথ গালর্স স্কুল থেকেই ম্যাট্রিক (তখন এস এস সি বলা হত না) পাশ করল কিশোরী সেলিনা ১৯৬২ সালে। ১৯৬২ সালে রাজশাহী কলেজে ভর্তি হলেন ঠিকই কিন্তু তখন শরীর এমনই কাহিল যে ক্লাস করা হল না। আহা তখন কী যন্ত্রনাই না সময় কেটেছিল কিশোরী সেলিনার। শিক্ষকটি এসে যেন ফিসফিস করে বলতেন,শক্ত হ মা। হার মানিস নে। রাজশাহী উইমেন্স কলেজে ভর্তি হল সেলিনা। মজা এই- সেলিনারাই ছিল ওই কলেজের প্রথম ব্যাচ। শরীরে যন্ত্রণা তো কি-সারাদিন দাপাদাপি করে বেড়াত তরুণী সেলিনা। ক্লাসমেটদের মধ্যে উজ্জ্বলতম বুদ্ধিমতী একটি মেয়ে। এত কথা বলত! কবি তো। তাই। ১৯৬৪। রাজশাহীতে আর্ন্তকলেজ প্রতিযোগীতা অনুষ্ঠিত হবে। সব মিলিয়ে সাতটি ইভেন্টে নাম লেখাল সেলিনা। প্রথম হল ছটিতে-একটি ইভেন্টে হল তৃতীয়। তখন বলছিলাম না- সেলিনা ছিল রাজশাহী উইমেন্স কলেজের সবচে উজ্জ্বলতম বুদ্ধিমতী একটি মেয়ে। এই মেয়েই তো একদিন বাংলায় উপন্যাস লিখে দু-বাংলার বোদ্ধা মহলে ঝড় তুলবে। লিখবে “গায়ত্রী সন্ধ্যা”র বিপুলায়তন উপন্যাস। কলেজ জীবন শেষ করে বাংলা ভাষা ও সাহিত্য নিয়ে ভর্তি হল রাজশাহী বিশ্ববিদ্যালয়ে। এবার জীবনে যুক্ত হল নিবিড় সাংস্কৃতিক ও গভীর রাজনৈতিক অধ্যায়। ১৯৬৭ সালে বিতর্ক প্রতিযোগীতায় অংশ নিতে পাঞ্জাব যাওয়ার কথা থাকলেও অস্থির রাজনৈতিক অবস্থার কারণে যাওয়া হয়নি। এই আক্ষেপ আজও কাঁটার মত বেঁধে। রাজশাহী বিশ্ববিদ্যালয় থেকেই বি এ অনার্স পাশ করলেন ১৯৬৭ সালে। এম এ পাশ করলেন পরের বছর অর্থাৎ ১৯৬৮ সালে।
রবীন্দ্রনাথের গান শুনতে বড় ভালো লাগে সেলিনার; লোকগানের মধ্যে ভাটিয়ালি ও ভাওয়াইয়া। যন্ত্রসঙ্গীতের মধ্যে বাঁশী ও শানাই।
সেলিনা হোসেন বাংলা একাডেমিকে যোগ দেন ১৯৭০। আজও ওখানেই আছেন।
কর্মজীবন
ষাটের দশকের মধ্যভাগে রাজশাহী বিশ্বমিদ্যালয়ে পড়ার সময়ে তাঁর লেখালেখির সূচনা। প্রথম গল্পগ্রন্থ উৎস থেকে নিরন্তর প্রকাশিত হয় ১৯৬৯ সালে। ভ্রমণ তাঁর নেশা। তাঁর মোট উপন্যাসের সংখ্যা ২১টি, গল্প গ্রন্থ ৭টি এবং প্রবন্ধের গ্রন্থ ৪টি।
গ্রন্থতালিকা
উপন্যাস
* কাঠকয়লার ছবি
* ঘুমকাতুরে ঈশ্বর
* লারা
পুরষ্কার
* ড: মুহম্মদ এনামুল হক স্বর্ণপদক (১৯৬৯)
* বাংলা একাডেমী সাহিত্য পুরষ্কার (১৯৮০)
* আলাওল সাহিত্য পুরষ্কার (১৯৮১)
* কামার মুশতারি স্মৃতি পুরষ্কার (১৯৮৭)
* ফিলিপস্ সাহিত্য পুরষ্কার (১৯৯৪)
* অলক্তা সাহিত্য পুরষ্কার (১৯৯৪)
* রবীন্দ্রস্মৃতি পুরস্কার (2010)
Real Estate Developer Donald Trump 1946
Real estate developer, mogul. Born Donald John Trump, on June 14, 1946, in Queens, New York, the fourth of five children of Frederick C. and Mary MacLeod Trump. Frederick Trump was a builder and real estate developer who came to specialize in constructing and operating middle income apartments in the Queens, Staten Island, and Brooklyn. Donald Trump was an energetic, assertive child, and his parents sent him to the New York Military Academy at age 13, hoping the discipline of the school would channel his energy in a positive manner. Trump did well at the academy, both socially and academically, rising to be a star athlete and student leader by the time he graduated in 1964. He entered Fordham University and then transferred to the Wharton School of Finance at the University of Pennsylvania from which he graduated in 1968 with a degree in economics.
Trump seems to have been strongly influenced by his father in his decision to make a career in real estate development, but the younger man's personal goals were much grander than those of his senior. As a student, Trump worked with his father during the summer and then joined his father's company, the Trump Organization, after graduation from college. He was able to finance an expansion of the company's holdings by convincing his father to be more liberal in the use of loans based on the equity in the Trump apartment complexes. However, the business was very competitive and profit margins were narrow. In 1971 Donald Trump moved his residence to Manhattan, where he became familiar with many influential people. Convinced of the economic opportunity in the city, Trump became involved in large building projects in Manhattan that would offer opportunities for earning high profits, utilizing attractive architectural design, and winning public recognition.
When the Pennsylvania Central Railroad entered bankruptcy, Trump was able to obtain an option on the railroad's yards on the west side of Manhattan. When initial plans for apartments proved unfeasible because of a poor economic climate, Trump promoted the property as the location of a city convention center, and the city government selected it over two other sites in 1978. Trump's offer to forego a fee if the center were named after his family, however, was turned down, along with his bid to build the complex, which was ultimately named for Senator Jacob Javits.
In 1974 Trump obtained an option on one of the Penn Central's hotels, the Commodore, which was unprofitable but in an excellent location adjacent to Grand Central Station. The next year he signed a partnership agreement with the Hyatt Hotel Corporation, which did not have a large downtown hotel. Trump then worked out a complex deal with the city to win a 40-year tax abatement, arranged financing, and then completely renovated the building, constructing a striking new facade of reflective glass designed by architect Der Scutt. When the hotel, renamed the Grand Hyatt, opened in 1980, it was popular and an economic success, making Donald Trump the city's best known and most controversial developer.
Trump married Ivana Zelnickova Winklmayr, a New York fashion model who had been an alternate on the 1968 Czech Olympic Ski Team, in 1977. After the birth of the first of the couple's three children in 1978, Donald John Trump, Jr., Ivana Trump was named vice president in charge of design in the Trump Organization and played a major role in supervising the renovation of the Commodore.
In 1979 Trump leased a site on Fifth Avenue adjacent to the famous Tiffany & Company as the location for a monumental $200 million apartment-retail complex designed by Der Scutt. It was named Trump Tower when it opened in 1982. The 58-story building featured a 6-story atrium lined with pink marble and included an 80-foot waterfall. The luxurious building attracted well-known retail stores and celebrity renters and brought Trump national attention.
Meanwhile Trump was investigating the profitable casino gambling business, which was approved in New Jersey in 1977. In 1980 he was able to acquire a piece of property in Atlantic City. He brought in his younger brother Robert to head up the complex project of acquiring the land, winning a gambling license, and obtaining permits and financing. Holiday Inns Corporation, the parent company of Harrah's casino hotels, offered a partnership, and the $250 million complex opened in 1982 as Harrah's at Trump Plaza. Trump bought out Holiday Inns in 1986 and renamed the facility Trump Plaza Hotel and Casino. Trump also purchased a Hilton Hotels casino-hotel in Atlantic City when the corporation failed to obtain a gambling license and renamed the $320 million complex Trump's Castle. Later, while it was under construction, he was able to acquire the largest hotel-casino in the world, the Taj Mahal at Atlantic City, which opened in 1990.
Back in New York City, Donald Trump had purchased an apartment building and the adjacent Barbizon-Plaza Hotel in New York City, which faced Central Park, with plans to build a large condominium tower on the site. The tenants of the apartment building, however, who were protected by the city's rent control and rent stabilization programs, fought Trump's plans and won. Trump then renovated the Barbizon, renaming it Trump Parc. In 1985 Trump purchased 76 acres on the west side of Manhattan for $88 million to build a complex to be called Television City, which was to consist of a dozen skyscrapers, a mall, and a riverfront park. The huge development was to stress television production and feature the world's tallest building, but community opposition and a long city approval process delayed commencement of construction of the project. In 1988 he acquired the Plaza Hotel for $407 million and spent $50 million refurbishing it under his wife Ivana's direction.
Trump reached south to build a condominium project in West Palm Beach, Florida, and in 1989 he branched out to purchase the Eastern Air Lines Shuttle for $365 million, renaming it the Trump Shuttle. In January 1990, Trump flew to Los Angeles to unveil a plan to build a $1 billion commercial and residential project featuring a 125-story office building.
It was in 1990, however, that the real estate market declined, reducing the value of and income from Trump's empire; his own net worth plummeted from an estimated $1.7 billion to $500 million. The Trump Organization required a massive infusion of loans to keep it from collapsing, a situation which raised questions as to whether the corporation could survive bankruptcy. Some observers saw Trump's decline as symbolic of many of the business, economic, and social excesses that had arisen in the 1980s.
Yet, he climbed back from nearly $900 million in the red: Donald Trump was reported to be worth close to $2 billion in 1997.
Donald Trump's image was tarnished by the publicity surrounding his controversial separation and the later divorce from his wife, Ivana. But he married again, this time to Marla Maples, a fledgling actress. The couple had a daughter two months before their marriage in 1993. He filed for a highly publicized divorce from Maples in 1997, which became final in June 1999. A prenuptial agreement allots $2 million to Maples. In January 2005, Trump married for a third time in a highly publicized wedding to model Melania Knauss. The couple is expecting its first child.
On October 7, 1999, Trump announced the formation of an exploratory committee to inform his decision of whether or not he should seek the Reform Party's nomination for the presidential race of 2000.
A state appeals court ruled on August 3, 2000, that Trump had the right to finish an 856-foot-tall condominium. The Coalition for Responsible Development had sued the city, charging it was violating zoning laws by letting the building reach heights that towered over everything in the neighborhood. The city has since moved to revise its rules to prevent more such projects. The failure of Trump's opponents to obtain an injunction allowed him to continue construction.
In 2004, Trump starred in the hit NBC reality series The Apprentice, in which the billionaire businessman searches for his newest underling from among 16 contestants.
Trump seems to have been strongly influenced by his father in his decision to make a career in real estate development, but the younger man's personal goals were much grander than those of his senior. As a student, Trump worked with his father during the summer and then joined his father's company, the Trump Organization, after graduation from college. He was able to finance an expansion of the company's holdings by convincing his father to be more liberal in the use of loans based on the equity in the Trump apartment complexes. However, the business was very competitive and profit margins were narrow. In 1971 Donald Trump moved his residence to Manhattan, where he became familiar with many influential people. Convinced of the economic opportunity in the city, Trump became involved in large building projects in Manhattan that would offer opportunities for earning high profits, utilizing attractive architectural design, and winning public recognition.
When the Pennsylvania Central Railroad entered bankruptcy, Trump was able to obtain an option on the railroad's yards on the west side of Manhattan. When initial plans for apartments proved unfeasible because of a poor economic climate, Trump promoted the property as the location of a city convention center, and the city government selected it over two other sites in 1978. Trump's offer to forego a fee if the center were named after his family, however, was turned down, along with his bid to build the complex, which was ultimately named for Senator Jacob Javits.
In 1974 Trump obtained an option on one of the Penn Central's hotels, the Commodore, which was unprofitable but in an excellent location adjacent to Grand Central Station. The next year he signed a partnership agreement with the Hyatt Hotel Corporation, which did not have a large downtown hotel. Trump then worked out a complex deal with the city to win a 40-year tax abatement, arranged financing, and then completely renovated the building, constructing a striking new facade of reflective glass designed by architect Der Scutt. When the hotel, renamed the Grand Hyatt, opened in 1980, it was popular and an economic success, making Donald Trump the city's best known and most controversial developer.
Trump married Ivana Zelnickova Winklmayr, a New York fashion model who had been an alternate on the 1968 Czech Olympic Ski Team, in 1977. After the birth of the first of the couple's three children in 1978, Donald John Trump, Jr., Ivana Trump was named vice president in charge of design in the Trump Organization and played a major role in supervising the renovation of the Commodore.
In 1979 Trump leased a site on Fifth Avenue adjacent to the famous Tiffany & Company as the location for a monumental $200 million apartment-retail complex designed by Der Scutt. It was named Trump Tower when it opened in 1982. The 58-story building featured a 6-story atrium lined with pink marble and included an 80-foot waterfall. The luxurious building attracted well-known retail stores and celebrity renters and brought Trump national attention.
Meanwhile Trump was investigating the profitable casino gambling business, which was approved in New Jersey in 1977. In 1980 he was able to acquire a piece of property in Atlantic City. He brought in his younger brother Robert to head up the complex project of acquiring the land, winning a gambling license, and obtaining permits and financing. Holiday Inns Corporation, the parent company of Harrah's casino hotels, offered a partnership, and the $250 million complex opened in 1982 as Harrah's at Trump Plaza. Trump bought out Holiday Inns in 1986 and renamed the facility Trump Plaza Hotel and Casino. Trump also purchased a Hilton Hotels casino-hotel in Atlantic City when the corporation failed to obtain a gambling license and renamed the $320 million complex Trump's Castle. Later, while it was under construction, he was able to acquire the largest hotel-casino in the world, the Taj Mahal at Atlantic City, which opened in 1990.
Back in New York City, Donald Trump had purchased an apartment building and the adjacent Barbizon-Plaza Hotel in New York City, which faced Central Park, with plans to build a large condominium tower on the site. The tenants of the apartment building, however, who were protected by the city's rent control and rent stabilization programs, fought Trump's plans and won. Trump then renovated the Barbizon, renaming it Trump Parc. In 1985 Trump purchased 76 acres on the west side of Manhattan for $88 million to build a complex to be called Television City, which was to consist of a dozen skyscrapers, a mall, and a riverfront park. The huge development was to stress television production and feature the world's tallest building, but community opposition and a long city approval process delayed commencement of construction of the project. In 1988 he acquired the Plaza Hotel for $407 million and spent $50 million refurbishing it under his wife Ivana's direction.
Trump reached south to build a condominium project in West Palm Beach, Florida, and in 1989 he branched out to purchase the Eastern Air Lines Shuttle for $365 million, renaming it the Trump Shuttle. In January 1990, Trump flew to Los Angeles to unveil a plan to build a $1 billion commercial and residential project featuring a 125-story office building.
It was in 1990, however, that the real estate market declined, reducing the value of and income from Trump's empire; his own net worth plummeted from an estimated $1.7 billion to $500 million. The Trump Organization required a massive infusion of loans to keep it from collapsing, a situation which raised questions as to whether the corporation could survive bankruptcy. Some observers saw Trump's decline as symbolic of many of the business, economic, and social excesses that had arisen in the 1980s.
Yet, he climbed back from nearly $900 million in the red: Donald Trump was reported to be worth close to $2 billion in 1997.
Donald Trump's image was tarnished by the publicity surrounding his controversial separation and the later divorce from his wife, Ivana. But he married again, this time to Marla Maples, a fledgling actress. The couple had a daughter two months before their marriage in 1993. He filed for a highly publicized divorce from Maples in 1997, which became final in June 1999. A prenuptial agreement allots $2 million to Maples. In January 2005, Trump married for a third time in a highly publicized wedding to model Melania Knauss. The couple is expecting its first child.
On October 7, 1999, Trump announced the formation of an exploratory committee to inform his decision of whether or not he should seek the Reform Party's nomination for the presidential race of 2000.
A state appeals court ruled on August 3, 2000, that Trump had the right to finish an 856-foot-tall condominium. The Coalition for Responsible Development had sued the city, charging it was violating zoning laws by letting the building reach heights that towered over everything in the neighborhood. The city has since moved to revise its rules to prevent more such projects. The failure of Trump's opponents to obtain an injunction allowed him to continue construction.
In 2004, Trump starred in the hit NBC reality series The Apprentice, in which the billionaire businessman searches for his newest underling from among 16 contestants.
Novelist & Playwriter Jerome K(lapka) Jerome 1859 – 1927
(born May 2, 1859, Walsall, Staffordshire, Eng.—died June 14, 1927, Northampton, Northamptonshire) English novelist and playwright whose humour—warm, unsatirical, and unintellectual—won him wide following.
Jerome left school at the age of 14, working first as a railway clerk, then as a schoolteacher, an actor, and a journalist. His first book, On the Stage—and Off, was published in 1885, but it was with the publication of his next books, The Idle Thoughts of an Idle Fellow (1886) and Three Men in a Boat (1889), that he achieved great success; both books were widely translated. From 1892 to 1897 he was a coeditor (with Robert Barr and George Brown Burgin) of The Idler, a monthly magazine that he had helped found, which featured contributions by writers such as Eden Phillpotts, Mark Twain, and Bret Harte.
Jerome's many other works include Three Men on the Bummel (1900) and Paul Kelver (1902), an autobiographical novel. He also wrote a number of plays. A book of Jerome's memoirs, My Life and Times, was published in 1926.
Jerome left school at the age of 14, working first as a railway clerk, then as a schoolteacher, an actor, and a journalist. His first book, On the Stage—and Off, was published in 1885, but it was with the publication of his next books, The Idle Thoughts of an Idle Fellow (1886) and Three Men in a Boat (1889), that he achieved great success; both books were widely translated. From 1892 to 1897 he was a coeditor (with Robert Barr and George Brown Burgin) of The Idler, a monthly magazine that he had helped found, which featured contributions by writers such as Eden Phillpotts, Mark Twain, and Bret Harte.
Jerome's many other works include Three Men on the Bummel (1900) and Paul Kelver (1902), an autobiographical novel. He also wrote a number of plays. A book of Jerome's memoirs, My Life and Times, was published in 1926.
Mobster Tony Spilotro 1938 – 1986
Mobster. Born May 19, 1938, in Chicago, Illinois. Anthony John Spilotro was born May 19, 1938, in Chicago, Illinois, as the fourth of six children. His parents, Pasquale and Antoinette Spilotro, were Italian immigrants who ran the Italian eatery, Patsy's Restaurant. It was through his family's business that young Anthony first became acquainted with organized crime; Patsy's was a regular mobster hangout, and meetings between "made men" were frequently held in the restaurant's parking lot.
Spilotro and his three brothers—Victor, John and Michael—often engaged in criminal activities together, including shoplifting and purse snatching. Anthony became a bully at an early age, and he dropped out of Steinmetz High School in his sophomore year, spending most of his time engaging in petty crime. At the age of 16, he earned his first arrest for attempting to steal a shirt. He was fined $10 and placed on probation.
The arrest did nothing to curb Spilotro's criminal activities. Over the next five years, he was arrested at least a dozen more times. But small time criminal activity was no longer enough for Spilotro. He soon had his eye on Chicago's biggest criminal outfit: the La Cosa Nostra crime family.
By 1962, Spilotro had befriended several influential members of the Chicago underworld including Vincent "the Saint" Inserro, Joseph "Joey the Clown" Lombardo, and mob boss Joseph "Joey Doves" Aiuppa. Spilotro joined Sam "Mad Sam" DeStefano's crew that same year. Sam was considered too unpredictable and undisciplined to ever be considered for real leadership, but his sadistic nature was highly sought after by his bosses as a way to spread fear and terror.
Through DeStefano's guidance, Spilotro finally earned a contract to murder Billy McCarthy and Jimmy Miraglia, two 24-year-old burglars known as The M&M Boys. During their interrogation, Spilotro tortured the two men, allegedly squeezing McCartney's head in a vice until the man's eye popped out of its socket. The corpses of the two men were found by authorities in the trunk of a car on Chicago's South side later that year.
The vicious killings won Spilotro a good reputation with area mobsters, and earned him "made man" status in 1963. His new title also scored him a job controlling bookmaking territory on the northwest side of Chicago. But Spilotro's standing also caught the attention of local law enforcement as well as the media, who began referring to Spilotro as "The Ant," in reference to his 5-foot-2-inch stature.
Spilotro became a marked man, and federal law enforcement worked hard to put him behind bars. In November of 1963, the FBI managed to turn Charles "Chuckie" Grimaldi, a former member of DeStefano's crew, into a federal witness. Grimaldi testified against Spilotro and DeStefano during the murder trial of Leo Foreman, a loan collector who had made the mistake of throwing DeStefano out of his office in May of that year. Foreman was lured to the home of DeStafano's brother Mario, ostensibly to play cards. Once there, Spilotro and Grimaldi drug their victim into the cellar, where Sam DeStefano beat Foreman with a hammer and then repeatedly stabbed him with an ice pick. He was then shot in the head, and left in the trunk of an abandoned car. Despite overwhelming evidence, both Spilotro and DeStefano were acquitted.
Spilotro's brush with the law didn't keep him from conducting business as usual. Throughout the 60s there were a series of murders in which the mobster had allegedly participated, but no charges were ever brought up. Spilotro continued to gain fame throughout the syndicate and, by 1971, Spilotro's was tapped by Aiuppa to replace Marshall Caifano as the mob's representative in Las Vegas, Nevada.
In his new role, Spilotro worked on the Chicago bosses' scheme to embezzle profits from area casinos. Using a front man as the casino's owner, the mob then placed made man Frank "Lefty" Rosenthal in the casino count rooms. His job was to access the rooms and remove as much cash as possible (called "the skim"), before it was recorded as revenue. The money was then sent back to The Outfit and several other mafia families. To protect the skim assets, Spilotro was hired to keep a watchful eye on Rosenthal and the other members of The Outfit. Once in Las Vegas, Spilotro—under the alias Tony Stuart—took over the Circus-Circus Hotel gift shop, as well as control of the Vegas underworld.
Spilotro's first move was to require all criminals to pay a street tax to continue doing business. If they didn't pay, they were threatened with death. Spilotro's next move came in 1976, when he opened his jewelry and electronics store, The Gold Rush, in partnership with his brother, Michael, and Chicago bookmaker Herbert "Fat Herbie" Blitzstein. The Gold Rush, located one block of the Vegas strip, became home to Spilotro's team of burglars who would break into hotel rooms, wealthy homes, and high-end stores and steal their goods. The group then fenced the items they stole. Because they often gained entrance to buildings and stores by making a hole in the wall or roof, they gave themselves the nickname "The Hole in the Wall Gang."
Spilotro's role as enforcer, however, was hampered after the arrest of Aladena "Jimmy The Weasel" Fratianno in 1977. After Fratianno learned of a contract on his life, he became a government informant and testified against Spilotro. As a result, Spilotro the Nevada Gaming Commission officially blacklisted Spilotro in December 1979. The ruling legally prevented Spilotro from being physically present in any Nevada casino.
This didn't prevent Spilotro from continuing to conduct his business, however. The Hole in the Wall Gang now included Las Vegas Metropolitan Police Officer Joe Blasko and mob members Frank Cullotta, Leo Guardino, Ernest Davino, Sal Romano, Lawrence Neumann, and Wayne Matecki, Samuel Cusumano and Joseph Cusumano. Their robberies had also expanded to include the tri-state area. In addition, it was rumored the Spilotro had began dealing drugs through a motorcycle gang. He had also taken to Rosenthal's wife, and the two were having a less-than-secret affair. Despite his setback at the casinos, Spilotro felt he still had Las Vegas by the tail.
The mob, however, was not pleased with the amount of attention Spilotro was drawing to himself. The blacklisting and the affair created unwanted headaches for The Outfit. In the minds of the mob bosses, Spilotro had two strikes against him. His third would come soon enough.
On the night of July 4, 1981, The Hole in the Wall Gang had planned a big robbery for Bertha's Gifts & Home Furnishings, which they believed would garner at least $1 million in profits. But once they had penetrated the roof, police surrounded the store and arrested Cullotta, Blasko, Guardino, Davino, Neumann and Matecki. They were each charged with burglary, conspiracy to commit burglary, attempted grand larceny and possession of burglary tools.
The botched robbery was due to the defection of the alarm system specialist in group, Sal Romano. Romano had turned informant after the police had pegged him for another crime, and had told the police about the planned heist. The Hole in the Wall gang was locked in the Las Vegas police department's holding cell in downtown Las Vegas. Cullotta also turned state's witness after he discovered Spilotro had put a contract on his life. Culotta's testimony, however, proved to be insufficient evidence. Spilotro was acquitted again.
The Chicago Syndicate bosses were not pleased. In their opinions, Spilotro had made a public spectacle of himself in Las Vegas, and had to be removed. As later testimony indicated, the Spilotro brothers were called into a meeting with the understanding that Michael would become a made man. Instead, on June 23, 1986, the brothers were tortured and beaten before being buried alive in a cornfield in Enos, Indiana.
In 2005, more than two decades after Spilotro's death, the film Casino was released to eager audiences. The character of Nicky Santoro in Martin Scorsese's movie was based on Spilotro, and played by actor Joe Pesci. In 2007, during the government's Operation Family Secrets investigation aimed at clearing up unsolved gangland killings, several men confessed to the Spilotro killings. Albert Tocco and Nicholas Calabrese, pleaded guilty to taking part in a conspiracy that included hits on Anthony and Michael. On September 27, 2007, James Marcello was found guilty by a federal jury of the murders of both Spilotro brothers. On February 5, 2009, he was sentenced to life in prison for his crime.
Spilotro was replaced in Las Vegas by Donald Angelini. He is survived by his wife Nancy and his son Vincent.
Spilotro and his three brothers—Victor, John and Michael—often engaged in criminal activities together, including shoplifting and purse snatching. Anthony became a bully at an early age, and he dropped out of Steinmetz High School in his sophomore year, spending most of his time engaging in petty crime. At the age of 16, he earned his first arrest for attempting to steal a shirt. He was fined $10 and placed on probation.
The arrest did nothing to curb Spilotro's criminal activities. Over the next five years, he was arrested at least a dozen more times. But small time criminal activity was no longer enough for Spilotro. He soon had his eye on Chicago's biggest criminal outfit: the La Cosa Nostra crime family.
By 1962, Spilotro had befriended several influential members of the Chicago underworld including Vincent "the Saint" Inserro, Joseph "Joey the Clown" Lombardo, and mob boss Joseph "Joey Doves" Aiuppa. Spilotro joined Sam "Mad Sam" DeStefano's crew that same year. Sam was considered too unpredictable and undisciplined to ever be considered for real leadership, but his sadistic nature was highly sought after by his bosses as a way to spread fear and terror.
Through DeStefano's guidance, Spilotro finally earned a contract to murder Billy McCarthy and Jimmy Miraglia, two 24-year-old burglars known as The M&M Boys. During their interrogation, Spilotro tortured the two men, allegedly squeezing McCartney's head in a vice until the man's eye popped out of its socket. The corpses of the two men were found by authorities in the trunk of a car on Chicago's South side later that year.
The vicious killings won Spilotro a good reputation with area mobsters, and earned him "made man" status in 1963. His new title also scored him a job controlling bookmaking territory on the northwest side of Chicago. But Spilotro's standing also caught the attention of local law enforcement as well as the media, who began referring to Spilotro as "The Ant," in reference to his 5-foot-2-inch stature.
Spilotro became a marked man, and federal law enforcement worked hard to put him behind bars. In November of 1963, the FBI managed to turn Charles "Chuckie" Grimaldi, a former member of DeStefano's crew, into a federal witness. Grimaldi testified against Spilotro and DeStefano during the murder trial of Leo Foreman, a loan collector who had made the mistake of throwing DeStefano out of his office in May of that year. Foreman was lured to the home of DeStafano's brother Mario, ostensibly to play cards. Once there, Spilotro and Grimaldi drug their victim into the cellar, where Sam DeStefano beat Foreman with a hammer and then repeatedly stabbed him with an ice pick. He was then shot in the head, and left in the trunk of an abandoned car. Despite overwhelming evidence, both Spilotro and DeStefano were acquitted.
Spilotro's brush with the law didn't keep him from conducting business as usual. Throughout the 60s there were a series of murders in which the mobster had allegedly participated, but no charges were ever brought up. Spilotro continued to gain fame throughout the syndicate and, by 1971, Spilotro's was tapped by Aiuppa to replace Marshall Caifano as the mob's representative in Las Vegas, Nevada.
In his new role, Spilotro worked on the Chicago bosses' scheme to embezzle profits from area casinos. Using a front man as the casino's owner, the mob then placed made man Frank "Lefty" Rosenthal in the casino count rooms. His job was to access the rooms and remove as much cash as possible (called "the skim"), before it was recorded as revenue. The money was then sent back to The Outfit and several other mafia families. To protect the skim assets, Spilotro was hired to keep a watchful eye on Rosenthal and the other members of The Outfit. Once in Las Vegas, Spilotro—under the alias Tony Stuart—took over the Circus-Circus Hotel gift shop, as well as control of the Vegas underworld.
Spilotro's first move was to require all criminals to pay a street tax to continue doing business. If they didn't pay, they were threatened with death. Spilotro's next move came in 1976, when he opened his jewelry and electronics store, The Gold Rush, in partnership with his brother, Michael, and Chicago bookmaker Herbert "Fat Herbie" Blitzstein. The Gold Rush, located one block of the Vegas strip, became home to Spilotro's team of burglars who would break into hotel rooms, wealthy homes, and high-end stores and steal their goods. The group then fenced the items they stole. Because they often gained entrance to buildings and stores by making a hole in the wall or roof, they gave themselves the nickname "The Hole in the Wall Gang."
Spilotro's role as enforcer, however, was hampered after the arrest of Aladena "Jimmy The Weasel" Fratianno in 1977. After Fratianno learned of a contract on his life, he became a government informant and testified against Spilotro. As a result, Spilotro the Nevada Gaming Commission officially blacklisted Spilotro in December 1979. The ruling legally prevented Spilotro from being physically present in any Nevada casino.
This didn't prevent Spilotro from continuing to conduct his business, however. The Hole in the Wall Gang now included Las Vegas Metropolitan Police Officer Joe Blasko and mob members Frank Cullotta, Leo Guardino, Ernest Davino, Sal Romano, Lawrence Neumann, and Wayne Matecki, Samuel Cusumano and Joseph Cusumano. Their robberies had also expanded to include the tri-state area. In addition, it was rumored the Spilotro had began dealing drugs through a motorcycle gang. He had also taken to Rosenthal's wife, and the two were having a less-than-secret affair. Despite his setback at the casinos, Spilotro felt he still had Las Vegas by the tail.
The mob, however, was not pleased with the amount of attention Spilotro was drawing to himself. The blacklisting and the affair created unwanted headaches for The Outfit. In the minds of the mob bosses, Spilotro had two strikes against him. His third would come soon enough.
On the night of July 4, 1981, The Hole in the Wall Gang had planned a big robbery for Bertha's Gifts & Home Furnishings, which they believed would garner at least $1 million in profits. But once they had penetrated the roof, police surrounded the store and arrested Cullotta, Blasko, Guardino, Davino, Neumann and Matecki. They were each charged with burglary, conspiracy to commit burglary, attempted grand larceny and possession of burglary tools.
The botched robbery was due to the defection of the alarm system specialist in group, Sal Romano. Romano had turned informant after the police had pegged him for another crime, and had told the police about the planned heist. The Hole in the Wall gang was locked in the Las Vegas police department's holding cell in downtown Las Vegas. Cullotta also turned state's witness after he discovered Spilotro had put a contract on his life. Culotta's testimony, however, proved to be insufficient evidence. Spilotro was acquitted again.
The Chicago Syndicate bosses were not pleased. In their opinions, Spilotro had made a public spectacle of himself in Las Vegas, and had to be removed. As later testimony indicated, the Spilotro brothers were called into a meeting with the understanding that Michael would become a made man. Instead, on June 23, 1986, the brothers were tortured and beaten before being buried alive in a cornfield in Enos, Indiana.
In 2005, more than two decades after Spilotro's death, the film Casino was released to eager audiences. The character of Nicky Santoro in Martin Scorsese's movie was based on Spilotro, and played by actor Joe Pesci. In 2007, during the government's Operation Family Secrets investigation aimed at clearing up unsolved gangland killings, several men confessed to the Spilotro killings. Albert Tocco and Nicholas Calabrese, pleaded guilty to taking part in a conspiracy that included hits on Anthony and Michael. On September 27, 2007, James Marcello was found guilty by a federal jury of the murders of both Spilotro brothers. On February 5, 2009, he was sentenced to life in prison for his crime.
Spilotro was replaced in Las Vegas by Donald Angelini. He is survived by his wife Nancy and his son Vincent.
23rd vice president of the USA Adlai Stevenson 1835 – 1914
(born Oct. 23, 1835, Christian County, Ky., U.S.—died June 14, 1914, Chicago, Ill.) 23rd vice president of the United States (1893–97) in the Democratic administration of President Grover Cleveland.
Stevenson was the son of John Turner Stevenson, a tobacco farmer, and Eliza Ann Ewing. After studying law, he began his practice in Metamora, Ill. Stimulated by the famous Lincoln–Douglas Debates, which took place during the Illinois senatorial campaign of 1858, he became active in local and national politics and was appointed to his first public office as a master in chancery of Woodford County's circuit court in 1860, a position he held throughout the American Civil War. He served as a presidential elector for General George McClellan, the failed Democratic Party candidate in the 1864 presidential election. In 1865 he was elected state's attorney and twice won election to the United States House of Representatives (1875–77; 1879–81), where he favoured low tariffs and a soft-money policy. He also played a conspicuous role in the congressional debate over the disputed presidential election of 1876 between Rutherford B. Hayes and Samuel J. Tilden, which was decided by a special Electoral Commission.
As first assistant postmaster general under President Cleveland (1885–89), Stevenson received the enmity of the Republican Party for his removal of thousands of Republican postmasters throughout the country. After unsuccessfully seeking the vice-presidential nomination in 1888, Stevenson was named associate justice of the Supreme Court for the District of Columbia, though the Republican-controlled Senate blocked his nomination. When Cleveland was renominated in 1892, Stevenson was selected as the vice-presidential candidate who could best unite all factions of the party. As vice president, he strongly supported Cleveland's policies and won wide admiration for his impartiality as presiding officer of the Senate. After failing to capture the Democratic nomination in 1896, he was appointed by President William McKinley to serve as chairman of a commission sent to Europe to work for international bimetallism. Afterward he ran unsuccessfully for vice president (1900) and for governor of Illinois (1908). His grandson, Adlai Ewing Stevenson II, served as a governor of Illinois and was twice an unsuccessful candidate for president (1952 and 1956).
Stevenson was the son of John Turner Stevenson, a tobacco farmer, and Eliza Ann Ewing. After studying law, he began his practice in Metamora, Ill. Stimulated by the famous Lincoln–Douglas Debates, which took place during the Illinois senatorial campaign of 1858, he became active in local and national politics and was appointed to his first public office as a master in chancery of Woodford County's circuit court in 1860, a position he held throughout the American Civil War. He served as a presidential elector for General George McClellan, the failed Democratic Party candidate in the 1864 presidential election. In 1865 he was elected state's attorney and twice won election to the United States House of Representatives (1875–77; 1879–81), where he favoured low tariffs and a soft-money policy. He also played a conspicuous role in the congressional debate over the disputed presidential election of 1876 between Rutherford B. Hayes and Samuel J. Tilden, which was decided by a special Electoral Commission.
As first assistant postmaster general under President Cleveland (1885–89), Stevenson received the enmity of the Republican Party for his removal of thousands of Republican postmasters throughout the country. After unsuccessfully seeking the vice-presidential nomination in 1888, Stevenson was named associate justice of the Supreme Court for the District of Columbia, though the Republican-controlled Senate blocked his nomination. When Cleveland was renominated in 1892, Stevenson was selected as the vice-presidential candidate who could best unite all factions of the party. As vice president, he strongly supported Cleveland's policies and won wide admiration for his impartiality as presiding officer of the Senate. After failing to capture the Democratic nomination in 1896, he was appointed by President William McKinley to serve as chairman of a commission sent to Europe to work for international bimetallism. Afterward he ran unsuccessfully for vice president (1900) and for governor of Illinois (1908). His grandson, Adlai Ewing Stevenson II, served as a governor of Illinois and was twice an unsuccessful candidate for president (1952 and 1956).
Artist Mary Cassatt 1844 – 1926
Artist. Born Mary Stevenson Cassatt on May 22, 1844, in Allegheny City, Pennsylvania. Mary Cassatt was the daughter of a well-to-do real estate and investment broker, and her upbringing reflected her family's high social standing. Her schooling prepared her to be a proper wife and mother and included such classes as homemaking, embroidery, music, sketching and painting. During the 1850s, the Cassatts took their children abroad to live in Europe for several years.
Though women of her day were discouraged from pursuing a career, Mary Cassatt enrolled in Philadelphia's Pennsylvania Academy of the Fine Arts at age 16. Not surprisingly, she found the male faculty and her fellow students to be patronizing and resentful of her attendance. Cassatt also became frustrated by the curriculum's slow pace and inadequate course offerings. She decided to leave the program and move to Europe where she could study the works of the Old Masters on her own, firsthand.
Despite her family's strong objections (her father declared he would rather see his daughter dead than living abroad as a "bohemian"), Mary Cassatt left for Paris in 1866. She began her study with private art lessons in the Louvre, where she would study and copy masterpieces. She continued to study and paint in relative obscurity until 1868, when one of her portraits was selected at the prestigious Paris Salon, an annual exhibition run by the French government. With her father's disapproving words echoing in her ears, Cassatt submitted the well-received painting under the name Mary Stevenson.
In 1870, soon after the outbreak of the Franco-Prussian War, Mary Cassatt reluctantly returned home to live with her parents. The artistic freedom she enjoyed while living abroad was immediately extinguished upon her return to the outskirts of Philadelphia. Not only did she have trouble finding proper supplies, but her father refused to pay for anything connected with her art. To raise funds, she tried to sell some of her paintings in New York, but to no avail. When she tried again to sell them through a dealer in Chicago, the paintings were tragically destroyed in a fire in 1871.
In the midst of these obstacles, Cassatt was contacted by the archbishop of Pittsburgh. He wanted to commission the artist to paint copies of two works by the Italian master Correggio. Cassatt accepted the assignment and left immediately for Europe, where the originals were on display in Parma, Italy. With the money she earned from the commission, she was able to resume her career in Europe. The Paris Salon accepted her paintings for exhibitions in 1872, 1873 and 1874, which helped secure her status as an established artist. She continued to study and paint in Spain, Belgium, and Rome, eventually settling permanently in Paris.
Though she felt indebted to the Salon for building her career, Mary Cassatt began to feel increasingly constrained by its inflexible guidelines. No longer concerned with what was fashionable or commercial, she began to experiment artistically. Her new work drew criticism for its bright colors and unflattering accuracy of its subjects. During this time, she drew courage from painter Edgar Degas, whose pastels inspired her to press on in her own direction. "I used to go and flatten my nose against that window and absorb all I could of his art," she once wrote to a friend. "It changed my life. I saw art then as I wanted to see it."
Her admiration for Degas would soon blossom into a strong friendship, and Mary Cassatt exhibited 11 of her paintings with the Impressionists in 1879. The show was a huge success both commercially and critically, and similar exhibits were staged in 1880 and 1881. Shortly thereafter marked a dormant period for Mary Cassatt, who was forced to withdraw from the art world to care for her ill mother and sister. Her sister died in 1882, but after her mother regained her health, Mary was able to resume painting.
While many of her fellow Impressionists were focused on landscapes and street scenes, Mary Cassatt became famous for her portraits. She was especially drawn to women in everyday domestic settings, especially mothers with their children. But unlike the Madonnas and cherubs of the Renaissance, Cassatt's portraits were unconventional in their direct and honest nature. Commenting in American Artist, Gemma Newman noted that "her constant objective was to achieve force, not sweetness; truth, not sentimentality or romance."
Mary Cassatt's painting style continued to evolve away from Impressionism in favor of a simpler, more straightforward approach. Her final exhibition with the Impressionists was in 1886, and she subsequently stopped identifying herself with a particular movement or school. Her experimentation with a variety of techniques often led her to unexpected places. For example, drawing inspiration from Japanese master printmakers, she exhibited a series of colored prints, including Woman Bathing and The Coiffure, in 1891.
Soon after, Mary Cassatt began taking an interest in young, American artists. She also sponsored fellow Impressionists and encouraged wealthy Americans to support the fledgling movement by purchasing artwork. She became an advisor to several major collectors, with the stipulation that their purchases would eventually be passed on to American art museums.
A 1910 trip to Egypt with her brother, Gardner, and his family would prove to be a turning a point in Mary Cassatt's life. The magnificent ancient art made her question her own talent as an artist. Soon after their return home, Gardner died unexpectedly from an illness he contracted during the journey. These two events deeply affected Cassatt's physical and emotional health, and she was unable to paint again until around 1912. Three years later, she was forced to give up painting altogether as diabetes slowly stole her vision. For the next 11 years, until her death on June 14, 1926, Mary Cassatt lived in almost total blindness, bitterly unhappy to be robbed of her greatest source of pleasure.
Though women of her day were discouraged from pursuing a career, Mary Cassatt enrolled in Philadelphia's Pennsylvania Academy of the Fine Arts at age 16. Not surprisingly, she found the male faculty and her fellow students to be patronizing and resentful of her attendance. Cassatt also became frustrated by the curriculum's slow pace and inadequate course offerings. She decided to leave the program and move to Europe where she could study the works of the Old Masters on her own, firsthand.
Despite her family's strong objections (her father declared he would rather see his daughter dead than living abroad as a "bohemian"), Mary Cassatt left for Paris in 1866. She began her study with private art lessons in the Louvre, where she would study and copy masterpieces. She continued to study and paint in relative obscurity until 1868, when one of her portraits was selected at the prestigious Paris Salon, an annual exhibition run by the French government. With her father's disapproving words echoing in her ears, Cassatt submitted the well-received painting under the name Mary Stevenson.
In 1870, soon after the outbreak of the Franco-Prussian War, Mary Cassatt reluctantly returned home to live with her parents. The artistic freedom she enjoyed while living abroad was immediately extinguished upon her return to the outskirts of Philadelphia. Not only did she have trouble finding proper supplies, but her father refused to pay for anything connected with her art. To raise funds, she tried to sell some of her paintings in New York, but to no avail. When she tried again to sell them through a dealer in Chicago, the paintings were tragically destroyed in a fire in 1871.
In the midst of these obstacles, Cassatt was contacted by the archbishop of Pittsburgh. He wanted to commission the artist to paint copies of two works by the Italian master Correggio. Cassatt accepted the assignment and left immediately for Europe, where the originals were on display in Parma, Italy. With the money she earned from the commission, she was able to resume her career in Europe. The Paris Salon accepted her paintings for exhibitions in 1872, 1873 and 1874, which helped secure her status as an established artist. She continued to study and paint in Spain, Belgium, and Rome, eventually settling permanently in Paris.
Though she felt indebted to the Salon for building her career, Mary Cassatt began to feel increasingly constrained by its inflexible guidelines. No longer concerned with what was fashionable or commercial, she began to experiment artistically. Her new work drew criticism for its bright colors and unflattering accuracy of its subjects. During this time, she drew courage from painter Edgar Degas, whose pastels inspired her to press on in her own direction. "I used to go and flatten my nose against that window and absorb all I could of his art," she once wrote to a friend. "It changed my life. I saw art then as I wanted to see it."
Her admiration for Degas would soon blossom into a strong friendship, and Mary Cassatt exhibited 11 of her paintings with the Impressionists in 1879. The show was a huge success both commercially and critically, and similar exhibits were staged in 1880 and 1881. Shortly thereafter marked a dormant period for Mary Cassatt, who was forced to withdraw from the art world to care for her ill mother and sister. Her sister died in 1882, but after her mother regained her health, Mary was able to resume painting.
While many of her fellow Impressionists were focused on landscapes and street scenes, Mary Cassatt became famous for her portraits. She was especially drawn to women in everyday domestic settings, especially mothers with their children. But unlike the Madonnas and cherubs of the Renaissance, Cassatt's portraits were unconventional in their direct and honest nature. Commenting in American Artist, Gemma Newman noted that "her constant objective was to achieve force, not sweetness; truth, not sentimentality or romance."
Mary Cassatt's painting style continued to evolve away from Impressionism in favor of a simpler, more straightforward approach. Her final exhibition with the Impressionists was in 1886, and she subsequently stopped identifying herself with a particular movement or school. Her experimentation with a variety of techniques often led her to unexpected places. For example, drawing inspiration from Japanese master printmakers, she exhibited a series of colored prints, including Woman Bathing and The Coiffure, in 1891.
Soon after, Mary Cassatt began taking an interest in young, American artists. She also sponsored fellow Impressionists and encouraged wealthy Americans to support the fledgling movement by purchasing artwork. She became an advisor to several major collectors, with the stipulation that their purchases would eventually be passed on to American art museums.
A 1910 trip to Egypt with her brother, Gardner, and his family would prove to be a turning a point in Mary Cassatt's life. The magnificent ancient art made her question her own talent as an artist. Soon after their return home, Gardner died unexpectedly from an illness he contracted during the journey. These two events deeply affected Cassatt's physical and emotional health, and she was unable to paint again until around 1912. Three years later, she was forced to give up painting altogether as diabetes slowly stole her vision. For the next 11 years, until her death on June 14, 1926, Mary Cassatt lived in almost total blindness, bitterly unhappy to be robbed of her greatest source of pleasure.
Poet & Short Story Writer Jorge Luis Borges 1899 – 1986
(born August 24, 1899, Buenos Aires, Argentina—died June 14, 1986, Geneva, Switzerland) Argentine poet, essayist, and short-story writer whose works have become classics of 20th-century world literature.
Life
Borges was reared in the then-shabby Palermo district of Buenos Aires, the setting of some of his works. His family, which had been notable in Argentine history, included British ancestry, and he learned English before Spanish. The first books that he read—from the library of his father, a man of wide-ranging intellect who taught at an English school—included The Adventures of Huckleberry Finn, the novels of H.G. Wells, The Thousand and One Nights, and Don Quixote, all in English. Under the constant stimulus and example of his father, the young Borges from his earliest years recognized that he was destined for a literary career.
In 1914, on the eve of World War I, Borges was taken by his family to Geneva, where he learned French and German and received his B.A. from the Collège de Genève. Leaving there in 1919, the family spent a year on Majorca and a year in mainland Spain, where Borges joined the young writers of the Ultraist movement, a group that rebelled against what it considered the decadence of the established writers of the Generation of 1898.
Returning to Buenos Aires in 1921, Borges rediscovered his native city and began to sing of its beauty in poems that imaginatively reconstructed its past and present. His first published book was a volume of poems, Fervor de Buenos Aires, poemas (1923; “Fervour of Buenos Aires, Poems”). He is also credited with establishing the Ultraist movement in South America, though he later repudiated it. This period of his career, which included the authorship of several volumes of essays and poems and the founding of three literary journals, ended with a biography, Evaristo Carriego (1930).
During his next phase, Borges gradually overcame his shyness in creating pure fiction. At first he preferred to retell the lives of more or less infamous men, as in the sketches of his Historia universal de la infamia (1935; A Universal History of Infamy). To earn his living, he took a major post in 1938 at a Buenos Aires library named for one of his ancestors. He remained there for nine unhappy years.
In 1938, the year his father died, Borges suffered a severe head wound and subsequent blood poisoning, which left him near death, bereft of speech, and fearing for his sanity. This experience appears to have freed in him the deepest forces of creation. In the next eight years he produced his best fantastic stories, those later collected in Ficciones (“Fictions”) and the volume of English translations titled The Aleph and Other Stories, 1933–69. During this time, he and another writer, Adolfo Bioy Casares, jointly wrote detective stories under the pseudonym H. Bustos Domecq (combining ancestral names of the two writers' families), which were published in 1942 as Seis problemas para Don Isidro Parodi ( Six Problems for Don Isidro Parodi). The works of this period revealed for the first time Borges's entire dreamworld, an ironical or paradoxical version of the real one, with its own language and systems of symbols.
When the dictatorship of Juan Perón came to power in 1946, Borges was dismissed from his library position for having expressed support of the Allies in World War II. With the help of friends, he earned his way by lecturing, editing, and writing. A 1952 collection of essays, Otras inquisiciones (1937–1952) ( Other Inquisitions, 1937–1952), revealed him at his analytic best. When Perón was deposed in 1955, Borges became director of the national library, an honorific position, and also professor of English and American literature at the University of Buenos Aires. By this time, Borges suffered from total blindness, a hereditary affliction that had also attacked his father and had progressively diminished his own eyesight from the 1920s onward. It had forced him to abandon the writing of long texts and to begin dictating to his mother or to secretaries or friends.
The works that date from this late period, such as El hacedor (1960; “The Doer,” Eng. trans. Dreamtigers) and El libro de los seres imaginarios (1967; The Book of Imaginary Beings), almost erase the distinctions between the genres of prose and poetry. His later collections of stories include El informe de Brodie (1970; Dr. Brodie's Report), which deals with revenge, murder, and horror, and El libro de arena (1975; The Book of Sand), both of which are allegories combining the simplicity of a folk storyteller with the complex vision of a man who has explored the labyrinths of his own being to its core.
Assessment
After 1961, when he and Samuel Beckett shared the Formentor Prize, an international award given for unpublished manuscripts, Borges's tales and poems were increasingly acclaimed as classics of 20th-century world literature. Prior to that time, Borges was little known, even in his native Buenos Aires, except to other writers, many of whom regarded him merely as a craftsman of ingenious techniques and tricks. By the time of his death, the nightmare world of his “fictions” had come to be compared to the world of Franz Kafka and to be praised for concentrating common language into its most enduring form. Through his work, Latin American literature emerged from the academic realm into the realm of generally educated readers.
Life
Borges was reared in the then-shabby Palermo district of Buenos Aires, the setting of some of his works. His family, which had been notable in Argentine history, included British ancestry, and he learned English before Spanish. The first books that he read—from the library of his father, a man of wide-ranging intellect who taught at an English school—included The Adventures of Huckleberry Finn, the novels of H.G. Wells, The Thousand and One Nights, and Don Quixote, all in English. Under the constant stimulus and example of his father, the young Borges from his earliest years recognized that he was destined for a literary career.
In 1914, on the eve of World War I, Borges was taken by his family to Geneva, where he learned French and German and received his B.A. from the Collège de Genève. Leaving there in 1919, the family spent a year on Majorca and a year in mainland Spain, where Borges joined the young writers of the Ultraist movement, a group that rebelled against what it considered the decadence of the established writers of the Generation of 1898.
Returning to Buenos Aires in 1921, Borges rediscovered his native city and began to sing of its beauty in poems that imaginatively reconstructed its past and present. His first published book was a volume of poems, Fervor de Buenos Aires, poemas (1923; “Fervour of Buenos Aires, Poems”). He is also credited with establishing the Ultraist movement in South America, though he later repudiated it. This period of his career, which included the authorship of several volumes of essays and poems and the founding of three literary journals, ended with a biography, Evaristo Carriego (1930).
During his next phase, Borges gradually overcame his shyness in creating pure fiction. At first he preferred to retell the lives of more or less infamous men, as in the sketches of his Historia universal de la infamia (1935; A Universal History of Infamy). To earn his living, he took a major post in 1938 at a Buenos Aires library named for one of his ancestors. He remained there for nine unhappy years.
In 1938, the year his father died, Borges suffered a severe head wound and subsequent blood poisoning, which left him near death, bereft of speech, and fearing for his sanity. This experience appears to have freed in him the deepest forces of creation. In the next eight years he produced his best fantastic stories, those later collected in Ficciones (“Fictions”) and the volume of English translations titled The Aleph and Other Stories, 1933–69. During this time, he and another writer, Adolfo Bioy Casares, jointly wrote detective stories under the pseudonym H. Bustos Domecq (combining ancestral names of the two writers' families), which were published in 1942 as Seis problemas para Don Isidro Parodi ( Six Problems for Don Isidro Parodi). The works of this period revealed for the first time Borges's entire dreamworld, an ironical or paradoxical version of the real one, with its own language and systems of symbols.
When the dictatorship of Juan Perón came to power in 1946, Borges was dismissed from his library position for having expressed support of the Allies in World War II. With the help of friends, he earned his way by lecturing, editing, and writing. A 1952 collection of essays, Otras inquisiciones (1937–1952) ( Other Inquisitions, 1937–1952), revealed him at his analytic best. When Perón was deposed in 1955, Borges became director of the national library, an honorific position, and also professor of English and American literature at the University of Buenos Aires. By this time, Borges suffered from total blindness, a hereditary affliction that had also attacked his father and had progressively diminished his own eyesight from the 1920s onward. It had forced him to abandon the writing of long texts and to begin dictating to his mother or to secretaries or friends.
The works that date from this late period, such as El hacedor (1960; “The Doer,” Eng. trans. Dreamtigers) and El libro de los seres imaginarios (1967; The Book of Imaginary Beings), almost erase the distinctions between the genres of prose and poetry. His later collections of stories include El informe de Brodie (1970; Dr. Brodie's Report), which deals with revenge, murder, and horror, and El libro de arena (1975; The Book of Sand), both of which are allegories combining the simplicity of a folk storyteller with the complex vision of a man who has explored the labyrinths of his own being to its core.
Assessment
After 1961, when he and Samuel Beckett shared the Formentor Prize, an international award given for unpublished manuscripts, Borges's tales and poems were increasingly acclaimed as classics of 20th-century world literature. Prior to that time, Borges was little known, even in his native Buenos Aires, except to other writers, many of whom regarded him merely as a craftsman of ingenious techniques and tricks. By the time of his death, the nightmare world of his “fictions” had come to be compared to the world of Franz Kafka and to be praised for concentrating common language into its most enduring form. Through his work, Latin American literature emerged from the academic realm into the realm of generally educated readers.
Writer & Revolutionary World War II Jerzy Kosinski 1933 – 1991
(born June 14, 1933, ód, Pol.—died May 3, 1991, New York, N.Y., U.S.) Polish-born U.S. writer. He claimed that his horrific experiences as a Jew in World War II Poland and Russia caused him to be mute for much of his childhood. He studied political science and became a professor of sociology before immigrating to the U.S. in 1957. His novel The Painted Bird (1965) is a graphic, surrealistic tale of the horrors surrounding the war. Other successful novels were Steps (1968) and the satiric fable Being There (1970; film, 1979). After his suicide, it was revealed that much of his past had been fabricated.
Singer and actor Burl Ives 1909 – 1995
(born June 14, 1909, Jasper county, Ill., U.S.—died April 14, 1995, Anacortes, Wash.) U.S. singer and actor. Ives began performing at age four and learned Scottish, English, and Irish ballads from his grandmother. He left college to hitchhike around the U.S., collecting songs from hoboes and drifters. Soon after his postwar concert debut in New York City, he was hailed by Carl Sandburg as “the mightiest ballad singer of this or any other century.” He recorded more than 100 albums and had hits with “I Know an Old Lady (Who Swallowed a Fly),” “The Blue Tail Fly,” “Big Rock Candy Mountain,” “Frosty the Snowman,” and “A Little Bitty Tear.” He appeared in many films—including East of Eden (1955), Desire Under the Elms (1958), Cat on a Hot Tin Roof (1958), and The Big Country (1958, Academy Award)—and on Broadway.
Novelist Writer Harriet Beecher Stowe 1811 - 1896
(born June 14, 1811, Litchfield, Conn., U.S.—died July 1, 1896, Hartford, Conn.) American writer and philanthropist, the author of the novel Uncle Tom's Cabin, which contributed so much to popular feeling against slavery that it is cited among the causes of the American Civil War.
Harriet Beecher was a member of one of the 19th century's most remarkable families. The daughter of the prominent Congregationalist minister Lyman Beecher and the sister of Catharine, Henry Ward, and Edward, she grew up in an atmosphere of learning and moral earnestness. She attended her sister Catharine's school in Hartford, Conn., in 1824–27, thereafter teaching at the school. In 1832 she accompanied Catharine and their father to Cincinnati, Ohio, where he became president of Lane Theological Seminary and she taught at another school founded by her sister.
In Cincinnati she took an active part in the literary and school life, contributing stories and sketches to local journals and compiling a school geography, until the school closed in 1836. That same year she married Calvin Ellis Stowe, a clergyman and seminary professor, who encouraged her literary activity and was himself an eminent biblical scholar. She wrote continually and in 1843 published The Mayflower; or, Sketches of Scenes and Characters Among the Descendants of the Pilgrims.
Stowe lived for 18 years in Cincinnati, separated only by the Ohio River from a slave-holding community; she came in contact with fugitive slaves and learned about life in the South from friends and from her own visits there. In 1850 her husband became professor at Bowdoin College and the family moved to Brunswick, Maine.
There Harriet Stowe began to write a long tale of slavery, based on her reading of abolitionist literature and on her personal observations in Ohio and Kentucky. Her tale was published serially (1851–52) in the National Era, an antislavery paper of Washington, D.C.; in 1852 it appeared in book form as Uncle Tom's Cabin; or, Life Among the Lowly. The book was an immediate sensation and was taken up eagerly by abolitionists while, along with its author, it was vehemently denounced in the South, where reading or possessing the book became an extremely dangerous enterprise. With sales of 300,000 in the first year, the book exerted an influence equaled by few other novels in history, helping to solidify both pro- and antislavery sentiment. The book was translated widely and several times dramatized (the first time, in 1852, without Stowe's permission), where it played to capacity audiences. Stowe was enthusiastically received on a visit to England in 1853, and there she formed friendships with many leading literary figures. In that same year she published A Key to Uncle Tom's Cabin, a compilation of documents and testimonies in support of disputed details of her indictment of slavery.
In 1856 she published Dred: A Tale of the Great Dismal Swamp, in which she depicted the deterioration of a society resting on a slave basis. When The Atlantic Monthly was established the following year, she found a ready vehicle for her writings; she also found outlets in the Independent of New York City and later the Christian Union, of which papers her brother Henry Ward Beecher was editor.
She thereafter led the life of a woman of letters, writing novels, of which The Minister's Wooing (1859) is best known, many studies of social life in both fiction and essay, and a small volume of religious poems. An article she published in The Atlantic in 1869, in which she alleged that Lord Byron had had an incestuous affair with his half-sister, created an uproar in England and cost her much of her popularity there, but she remained a leading author and lyceum lecturer in the United States. Late in her life she assisted her son Charles E. Stowe on a biography of her, which appeared in 1889. Stowe had moved to Hartford in 1864, and she largely remained there until her death.
Harriet Beecher was a member of one of the 19th century's most remarkable families. The daughter of the prominent Congregationalist minister Lyman Beecher and the sister of Catharine, Henry Ward, and Edward, she grew up in an atmosphere of learning and moral earnestness. She attended her sister Catharine's school in Hartford, Conn., in 1824–27, thereafter teaching at the school. In 1832 she accompanied Catharine and their father to Cincinnati, Ohio, where he became president of Lane Theological Seminary and she taught at another school founded by her sister.
In Cincinnati she took an active part in the literary and school life, contributing stories and sketches to local journals and compiling a school geography, until the school closed in 1836. That same year she married Calvin Ellis Stowe, a clergyman and seminary professor, who encouraged her literary activity and was himself an eminent biblical scholar. She wrote continually and in 1843 published The Mayflower; or, Sketches of Scenes and Characters Among the Descendants of the Pilgrims.
Stowe lived for 18 years in Cincinnati, separated only by the Ohio River from a slave-holding community; she came in contact with fugitive slaves and learned about life in the South from friends and from her own visits there. In 1850 her husband became professor at Bowdoin College and the family moved to Brunswick, Maine.
There Harriet Stowe began to write a long tale of slavery, based on her reading of abolitionist literature and on her personal observations in Ohio and Kentucky. Her tale was published serially (1851–52) in the National Era, an antislavery paper of Washington, D.C.; in 1852 it appeared in book form as Uncle Tom's Cabin; or, Life Among the Lowly. The book was an immediate sensation and was taken up eagerly by abolitionists while, along with its author, it was vehemently denounced in the South, where reading or possessing the book became an extremely dangerous enterprise. With sales of 300,000 in the first year, the book exerted an influence equaled by few other novels in history, helping to solidify both pro- and antislavery sentiment. The book was translated widely and several times dramatized (the first time, in 1852, without Stowe's permission), where it played to capacity audiences. Stowe was enthusiastically received on a visit to England in 1853, and there she formed friendships with many leading literary figures. In that same year she published A Key to Uncle Tom's Cabin, a compilation of documents and testimonies in support of disputed details of her indictment of slavery.
In 1856 she published Dred: A Tale of the Great Dismal Swamp, in which she depicted the deterioration of a society resting on a slave basis. When The Atlantic Monthly was established the following year, she found a ready vehicle for her writings; she also found outlets in the Independent of New York City and later the Christian Union, of which papers her brother Henry Ward Beecher was editor.
She thereafter led the life of a woman of letters, writing novels, of which The Minister's Wooing (1859) is best known, many studies of social life in both fiction and essay, and a small volume of religious poems. An article she published in The Atlantic in 1869, in which she alleged that Lord Byron had had an incestuous affair with his half-sister, created an uproar in England and cost her much of her popularity there, but she remained a leading author and lyceum lecturer in the United States. Late in her life she assisted her son Charles E. Stowe on a biography of her, which appeared in 1889. Stowe had moved to Hartford in 1864, and she largely remained there until her death.
Biography of Boy George 1961
Born George Alan O'Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O'Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the "pink sheep" of the family.
To stand out in the male-dominated household, George created his own image on which he became dependent. "It didn't bother me to walk down the street and to be stared at. I loved it," he later reminisced.
George didn't exactly conform to the typical school student stereotype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn't long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.
Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.
The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn't long before George was giving interviews based purely on his appearance.
George's outrageous style caught the attention of Malcolm McLaren, the manager of the infamous punk group Sex Pistols. McLaren was also managing a group called Bow Wow Wow, which was fronted by Burmese sixteen-year-old Annabella Lwin. McLaren felt he needed someone to give Lwin a bit more stage and vocal presence, so he arranged for George to perform with the group.
George made a few appearances to much audience acclaim, and inevitable friction between the two big personalities began to surface. However George, by now, felt inspired to form his own group. The answer came in the form of The Sex Gang Children. Bassist Mikey Craig and drummer Jon Moss were next to join the group, followed by Roy Hay. The group soon abandoned their original name, instead settling on Culture Club. The name was a joke in reference to the group members' various backgrounds: George was Irish, Craig was Jamaican and British, Moss was Jewish, and Hay was an Englishman.
Success came early. The band signed with Virgin Records in the U.K. and Epic Records in America, releasing their debut album, Kissing To Be Clever, in 1982. It was their third single from that album, "Do You Really Want To Hurt Me?" that scored a huge success for the group. The song reached the No. 1 spot in 16 different countries.
Culture Club already had the distinction of being the first group since the Beatles to have three songs from their debut album become top 10 hits on the Billboard Hot 100. The group's second album, Colour By Numbers (1983) was also a success, with the single "Karma Chameleon" rocketing to the No. 1 spot in numerous countries including the U.S., where it stayed for four weeks.
George soon became a household name, making him a natural choice for one of the lead vocals on the Band Aid single "Do They Know It's Christmas?" in 1984. However the pressure of fame began to take its toll, and by late 1985 George had developed an addiction to heroin. Culture Club began to lose their way musically. Work on their fourth album From Luxury To Heartache (1986) proved to be a headache as recording sessions dragged on for hours.
In July of that same year, George was arrested in the U.K. for possession of cannabis. A few days later, the band's keyboardist, Michael Rudetski, was found dead in George's home. The coroner's report revealed that he had suffered a heroin overdose.
During his time in Culture Club, George embarked on a relationship with drummer Jon Moss, and he has claimed that some of the songs he wrote during this period were aimed at Moss directly. The pair's romance did not last though, with speculation that Moss had broken off his engagement to a woman to be with George, but was never entirely comfortable in a homosexual relationship. Moss has since gone on to marry a woman and have several children.
Clearly the much-hyped furor over the band peaked too early and in late 1986, after their U.S. tour was canceled, Culture Club disbanded. Despite his ongoing battles with drug addiction, George began recording his first solo album. In 1987 Sold was released as a major success, but George never really managed to duplicate the same level of exposure in the U.S.
Over the years, George continued to release various solo albums and even formed his own record label in the early 90s. His most significant acclaim during the 90s was his 1992 hit single "The Crying Game," which featured in the film of the same name. The song reached the top 20 on the U.S. charts.
After a fall out with Virgin Records in the mid 90s, George's work was poorly promoted and subsequently failed to alight any kind of praise. Culture Club reunited briefly back in 1998 at the Big Rewind tour in America alongside Human League, and later the same year managed to secure a top five single in the U.K. with "I Just Wanna Be Loved."
In 2006, the band decided to again reunite; however, George declined to join them for this tour. As a result, he was replaced. After only one showcase and one live show, the project was shelved.
Although George failed to reach the same level of acclaim as a solo artist in comparison to the Culture Club days, he has fared better in his second career as a notable music DJ. He began DJing in the early 1990s and has since enjoyed critical acclaim both here in the UK and in the US.
In 2002, George was joined by a hoard of celebrities for the premiere of his new musical, Taboo. The star had penned the story of his own rise to fame, including colorful characters from his past. The musical featured a host of new songs written by George as well as Culture Club's No. 1 singles, "Do You Really Want to Hurt Me?" and "Karma Chameleon." Open auditions were held to find actors and singers that resemble the stars of the 80s. Scottish actor Euan Morton won the part of the dread-locked George. Matt Lucas, at the time most famed for his George Dawes character on BBC's Shooting Stars, took the role of flamboyant performance artist Leigh Bowery, who died of an AIDS-related illness in 1994.
American comedienne Rosie O'Donnell saw the musical and was so enamored that she decided to finance the production for Broadway, too. The show opened in February 2003 but after just 100 performances it closed, hampered by a barrage of negative reviews and struggles to meet financial ends. The U.K. production, however, continued to be a success. A DVD release and book accompanied the play.
Boy George's demons have gained ongoing media attention after his drug problems came to light in the 80s. In 2005, nearly 10 years after his first public drug expose, George was arrested in Manhattan on suspicion of possessing cocaine after it was found in his apartment.
After failing to appear in court the following year for the same drugs charge, a judge issued a warrant for his arrest. George's no-show for his initial court date resulted in a $1,000 fine and a spell of community service. In August 2006, George reported for trash duty on the streets of New York, making the media's day with snaps of the usually flamboyant star in combats and trainers with a broom and disposable gloves.
It seems picking up trash in the public eye wasn't enough to keep George on the right side of the law. In November 2007, he was sent to trial on charges for falsely imprisoning a male escort by chaining him to a wall. The alleged incident had taken place at his flat in Hackney earlier in the year. On January 16, 2009, he was sentenced to 15 months in prison for the offence. Initially he was sent to HMP Pentonville in London and was later transferred to HMP Edmunds Hill in Newmarket, Suffolk, to serve out his time.
Editor John Bartlett 1820 - 1905
(born June 14, 1820, Plymouth, Massachusetts, U.S.—died December 3, 1905, Cambridge, Massachusetts) American bookseller and editor best known for his Familiar Quotations.
At the age of 16, Bartlett became an employee of the Harvard University bookstore, where he became so versed in book knowledge that the advice “Ask John Bartlett” became common on the Harvard campus. Eventually he came to own the store, and in 1855 he published the first edition of his Familiar Quotations, based largely on the notebook that he kept for the benefit of his customers. Later editions of the work were greatly expanded, and, from the fourth edition on, these were published by Little, Brown and Company, Boston, which Bartlett joined in 1863. The book went through nine editions in his lifetime and appeared in a centennial edition, the 13th, in 1955. Bartlett also wrote books on chess and angling and, after many years of labour, a Complete Concordance to Shakespeare's Dramatic Works and Poems (1894), a standard reference work that surpassed any of its predecessors in the number and fullness of its citations. In 1992, the 16th edition appeared with quotes from 340 new people.
At the age of 16, Bartlett became an employee of the Harvard University bookstore, where he became so versed in book knowledge that the advice “Ask John Bartlett” became common on the Harvard campus. Eventually he came to own the store, and in 1855 he published the first edition of his Familiar Quotations, based largely on the notebook that he kept for the benefit of his customers. Later editions of the work were greatly expanded, and, from the fourth edition on, these were published by Little, Brown and Company, Boston, which Bartlett joined in 1863. The book went through nine editions in his lifetime and appeared in a centennial edition, the 13th, in 1955. Bartlett also wrote books on chess and angling and, after many years of labour, a Complete Concordance to Shakespeare's Dramatic Works and Poems (1894), a standard reference work that surpassed any of its predecessors in the number and fullness of its citations. In 1992, the 16th edition appeared with quotes from 340 new people.
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